Thursday, October 30, 2008
Paris Hilton Electro-Beat Music Video For President
Sunday, October 26, 2008
Jonas Brothers Love Bug ; Official Music Video n Lyrics
Jonas Brothers Music Video of LoveBug
Jonas Brothers Lyrics of LoveBug
Called her for the first time yesterday
Finally found the missing part of me
Felt so close, but you were far away
Left me without anything to say
Now I'm speechless, over the edge
I'm just breathless, I never thought
That I'd catch this love bug again
Hopeless, head over heels in the
Moment, I never thought that I'd
Get hit by this love bug again
I can't get your smile out of my mind
I can't get you out of my mind
I think about your eyes all the time
Beautiful, but you don't even try
You don't even, don't even try
Modesty is just so hard to find
Now I'm speechless, over the edge
I'm just breathless, I never thought
That I'd catch this love bug again
Hopeless, head over heels in the
Moment, I never thought that I'd
Get hit by this love bug again
I kissed her for the first time yesterday
Everything I wished that it would be
Suddenly, I forgot how to speak
Hopeless, breathless, baby, can't you see?
Now I'm...yeah
Now I'm speechless, over the edge
I'm just breathless, I never thought
That I'd catch this love bug again
Now I'm hopeless, head over heels in the
Moment, I never thought that I'd
Get hit by this love bug again
Oh, love bug again
Saturday, October 25, 2008
Pussycat Dolls Domination: I Hate This Part - Video n Lyrics
Pussycat Dolls (PCD): The Doll Domination album have been produced and/or written by Timbaland, The Clutch, Cee-Lo Green, Lucas Secon,Wayne Hector,Cutfather, Jonas Jeberg, Sean Garrett, Darkchild, Kara DioGuardi, Fernando Garibay, Lady GaGa, Ryan Tedder, and Chase N. Cashe of Zone 4 Inc.
Each of the dolls has a solo song on a separate bonus part of the album. The Deluxe Edition of the album is also set for a release, with a slightly different cover and five solo songs from each of the dolls, as Jessica confirmed during an interview with NewNowNext. As with PCD, Scherzinger is the only group member to have any songwriting credits on the album. It has been announced that the UK will get a special collector's edition with 5 other new solo tracks and another slightly different cover (green).
The Pussycat Dolls premiered their new music vid, “I Hate This Part,” in Britain on Friday. The track, featured on the girls’ Doll Domination LP, will only be released as a single in Europe and the UK. Yet More New Material From Nicole Scherzinger The Pussycat Dolls' New Album - Doll Domination. You Will Be Surprised To Hear That I Don't Hate - I Hate This Part.
Pussycat Dolls Music Video of I Hate This Part
For the first time, I think ever, we actually hear Nicole open up her lungs for a short burst of her middle of the road vocal range, I likes. We also hear some real emotion from Nicole, well I say real, but what I mean is false... But still it's emotion dammit!All in all, I'm a sucker for crap like this & I don't know why but I can't hate it. The lyrics are far more meaningful than "When I Grow Up, I Want To Have Boobies Groupies", the instrumentals are nice & the vocals are at an all time high for the Dolls. Good Stuff!
Pussycat Dolls Lyrics of I Hate This Part
We're driving slow through the snow on Fifth Avenue
And right now radio's all that we can hear
Now we ain't talked since we left, it's so overdue
It's cold outside but between us it's worse in here
The world slows down
But my heart beats fast right now
I know this is the part
Where the end starts
I can't take it any longer
Thought that we were stronger
All we do is linger
Slipping through our fingers
I don't wanna try now
All that's left's goodbye
To find a way that I can tell you
I hate this part right here
I hate this part right here
I just can't take your tears
I hate this part right here
Everyday, seven takes of the same old scene
Seems we're bound by the laws of the same routine
Gotta talk to you now 'fore we go to sleep
But will we sleep once I tell you it's hurting me
The world slows down
But my heart beats fast right now
I know this is the part
Where the end starts
I can't take it any longer
Thought that we were stronger
All we do is linger
Slipping through our fingers
I don't wanna try now
All that's left's goodbye
To find a way that I can tell you
I hate this part right here
I hate this part right here
I just can't take your tears
I hate this part right here
I know you'll ask me to hold on
And carry on like nothing's wrong
But there is no more time for lies
'Cause I see sunset in your eyes
I can't take it any longer
Thought that we were stronger
All we do is linger
Slipping through our fingers
I don't wanna try now
All that's left's goodbye
To find a way that I can tell you
That I gotta do it
I gotta do it
I gotta do it
I hate this part
I gotta do it
I gotta do it
I gotta do it
I hate this part right here
I hate this part right here
I just can't take these tears
I hate this part right here
Hilary Duff: Reach Out and Touch Me - Music n Lyrics
Hilary Duff has scored four multiplatinum discs, starred in a few box office hits and had a major merchandising enterprise spring out of her star-making Lizzie McGuire TV series. Hilary Duff has released her new single, Reach Out and Touch Me, off her upcoming fourth studio album.
Reach Out" is a dance-pop song performed by Hilary Duff. The song was produced by Ryan Tedder (of OneRepublic) and co-written by Tedder, Evan Bogart and Mika Guillory. It is scheduled for commercial release in October 2008. It is being released to coincide with Duff's compilation album, Best of Hilary Duff. It samples Depeche Mode's "Personal Jesus". Reach Out was released via Duff's official YouTube channel on October 3rd, 2008.
Hilary Duff Reach Out and Touch Me Lyrics
From the minute that you walked right through the door
Thoughts were racing in my mind time to explore
I tell my friends that I just gotta have him
Don't look now, cause I see you staring at him
Tunnel vision had him locked on in the sides
On a mission, for position at the end of the night
It's like a crave, playing games with the hunter
You better run for it time to just surrender
and all I need is to feel you
All I want is to feel you
CHORUS:
Reach Out And Touch Me
Before I go insane
Reach Out And Touch Me
well don't you make me wait.
I'm a diamond and you're so on the money
Reach Out And Touch Me
And all I need is to feel you
Reach Out And Touch Me
Like a prayer, your touch can take me there
in my mind, you & me in a secret affair
And boy you killin me and you don't even know it
Tried to hold back but I can't control it
So if I'm steppin tto you, skippin' "how youre doing"
Grab your hand and pull you closer to me yeah
out the door were slippin then we'll start to
kissing
But you're invited to my fan-ta-ta-sy
And all I need is to feel you
All I want is to feel you
CHORUS:
Reach Out And Touch Me
Before I go insane
Reach Out And Touch Me
well don't you make me wait.
I'm a diamond and you're so on the money
Reach Out And Touch Me
And all I need is to feel you
Reach Out And Touch Me
Baby can't you see how you're affecting me?
Baby sensual, physical, fantasy
Maybe, fate brought the two of close
Don't you wanna? Don't you wanna ?
Don't you wanna? Don't you wanna?
Reach Out And Touch Me
CHORUS:
Reach Out And Touch Me (Reach Out)
Before I go insane
Reach Out And Touch Me
Don't make me wait
I'm a diamond and you're so on the money
Reach Out And Touch Me (Reach Out And Touch Me)
Reach Out And Touch Me (Oooooh)
Reach Out And Touch Me (Oooooh)
I'm a diamond and you're so on the money
Reach Out And Touch Me
And all I need is to feel you
Reach Out And Touch Me.
Britney Spears Music Video of Womanizer with Lyrics
Britney Spears Womanizer Lyrics
Superstar
Where you from, how's it going?
I know you
Gotta clue whatcha doing
You can play brand new
To all the other chicks out there
But I know what you are
What you are, baby
Look at you
Gettin more than just a re-up
Baby, you
Got all the puppets with their strings up
Fakin like a good one
But I call em when i see em
I know what you are
What you are, baby
Womanizer
Woman-womanizer
You're a womanizer
Oh, womanizer
Oh, you're a womanizer, baby
You you you are
You you you are
Womanizer, womanizer
Womanizer, womanizer
Boy don't try to front
I know just what you are
Boy don't try to front
I know just what you are
(You)You got me goin
(You)You're oh so charmin
(You)But I can't do it
(You)You womanizer
Boy don't try to front
I know just what you are
Boy don't try to front
I know just what you are
(You)You say I'm crazy
(You)I gotcha crazy
(You)You're nothin but a
(You)Womanizer
Daddy-o
You've got the swagger of a champion
To bad for you
You just can't find the right companion
I guess when you have one too many
Makes it hard, it could be easy
Who you are
That's just who you are, baby
Lollipop
You must mistake me for a sucker
To think that I
Would be a victim, not another
Say you're playin how you want it
But no way I'm never gonna fall for you
Never you, baby
Womanizer
Woman-womanizer
You're a womanizer
Oh, womanizer
Oh, you're a womanizer, baby
You you you are
You you you are
Womanizer, womanizer
Womanizer, womanizer
Boy don't try to front
I know just what you are
Boy don't try to front
I know just what you are
(You)You got me goin
(You)You're oh so charmin
(You)But I can't do it
(You)You womanizer
Boy don't try to front
I know just what you are
Boy don't try to front
I know just what you are
(You)You say I'm crazy
(You)I got you crazy
(You)You're nothin but a
(You)Womanizer
Maybe if we both lived in a different world
It would be all good
And maybe I could be your girl
But I can't so we don't
You
Womanizer
Woman-womanizer
You're a womanizer
Oh, womanizer
Oh, you're a womanizer, baby
You you you are
You you you are
Womanizer, womanizer
Womanizer, womanizer
Boy don't try to front
I know just what you are
Boy don't try to front
I know just what you are
(You)You got me goin
(You)You're oh so charmin
(You)But I can't do it
(You)You womanizer
Boy don't try to front
I know just what you are
Boy don't try to front
I know just what you are
(You)You say I'm crazy
(You)I got you crazy
(You)You're nothin but a
(You)Womanizer
Boy don't try to front
I know just what you are
Boy don't try to front
I know just what you are
Womanizer
Woman-womanizer
You're a womanizer
Oh, womanizer
Oh, you're a womanizer, baby
Friday, October 24, 2008
This is call luck........
The New York guy bought it at just over half of the property's worth, moved in, and set about to tear in to the barn,.....curiosity was killing him.
So, he and his wife bought a generator, and a couple of grinders.....and cut thru the welds.
What was in the barn...... ?
Bloody WICKED
ALL UP VALUED AT $35 MILLION
DOLLARS.
THIS IS A TRUE STORY THE MAN AND
HIS WIFE HAD FULL CLAIM TO THE
LOT.
THEY HAD A GREAT RETIREMENT.
Tuesday, October 21, 2008
This Happens in Denmark, WHAT A SHAME!!!!!
DENMARK: WHAT A SHAME, A SAD SHAME.
THERE IS NO WORSE BEAST THAN HUMAN KIND ITSELF!!!!
BRUTAL, Dantesque, bloody slaughter in the Faroe Islands, which belong to Denmark . A country supposedly 'civilized' & a European Union country. For many people this attack to life is unknown , to sensitivity. THIS bloody slaughter is an insane 'show' of entering adulthood! Is absolutely incredible that no one does anything to prevent this barbarism that are committed against Calderon, an intelligent dolphin who has the particularity of approaching people out of sheer curiosity. Some traditions just MUST STOP!
PLEASE inform people.
Saturday, October 18, 2008
Friday, October 17, 2008
Jeb Bush calls 'W' movie 'Hooey'
But the president's younger brother has a different impression.
At the heart of "W.," opening nationally in theaters Friday, is a psychological portrait of George W. Bush as living perpetually in the shadow of his father, former President George H.W. Bush, and driven to invade Iraq at least in part by a desire to prove he is as tough as the elder statesman.
"The Oedipal rivalry is high-grade, unadulterated hooey," former Florida Gov. Jeb Bush told The Washington Times.
Exploring such a complicated family dynamic might have benefited from direct conversations with, say, the president's younger brother who, in the telling of Mr. Stone and his "W." screenwriter, Stanley Weiser, was regarded by his parents as the more promising sibling.
"I didn't receive a call," Jeb Bush said.
Likewise, many of the other central characters in the film say that neither Mr. Stone nor Mr. Weiser made any effort to contact them, check facts or get their input on events they witnessed firsthand.
The collaborators, who did not return calls seeking comment from The Times to the agency that is spearheading publicity for the film in the Washington, D.C., area, appear to have relied heavily on secondary sources such as Bob Woodward's "State of Denial" and Stephen Mansfield's "The Faith of George W. Bush."
Mr. Weiser told Reuters news agency earlier this year that he read 17 books about the president while researching the film. Yet the movie lacks any eyewitness verification - even for incendiary charges that the Bush administration, especially Vice President Dick Cheney, exploited the Sept. 11, 2001, attacks and exaggerated the threat of Iraqi nuclear capability to establish hegemony over the Middle East and Eurasia, regions rich in the oil that would fuel a 21st-century American empire and deter emerging rivals like China.
Keith Urbahn, spokesman for former Defense Secretary Donald H. Rumsfeld, said: "No one from the film gave us a call. Donald Rumsfeld has neither the intention nor interest in seeing 'W.' Judging from what I've seen from the trailer, it doesn't seem like veracity and the historical record were high on Stone's priority list."
"W." is what the publishing world would call an "unauthorized biography." It purports to be not necessarily a literal historical re-enactment but, rather, a vehicle for informed speculation and the revelation of psychological and symbolic truth.
Still, the film carries no disclaimers warning viewers to expect deviations from historical realism in the interests of narrative economy or dramatic "truth."
In contrast, the TV miniseries "The Path to 9/11" - criticized by leading Democrats for making the Clinton administration appear negligent in its response to al Qaeda - carried an extensive disclaimer warning viewers, among other things: "The movie is not a documentary. For dramatic and narrative purposes, the movie contains fictionalized scenes, composite and representative characters and dialogue, as well as time compression."
It is not unusual for filmmakers to seek firsthand testimony on productions based on real events; such cooperation need not entail explicit "authorization" or a right of script approval. Both the Central Intelligence Agency and the Federal Bureau of Investigation, for example, have provided consultants and technical experts on myriad Hollywood features without exerting ultimate control over their content.
Mr. Stone has a reputation as an antiwar liberal, and the president and his top aides had little interest in promoting his movie by responding to it.
White House spokesman Scott Stanzel said, "I think your readers would understand that we don't have time to comment on Mr. Stone's latest endeavor."
But not even Colin L. Powell, the secretary of state during Mr. Bush's tumultuous first term, who comes off in "W." as something of a heroic internal dissident, received a call from Mr. Stone and Co.
At press time, Mr. Powell was traveling abroad, but his spokeswoman, Peggy Cifrino, said: "We have never heard from Mr. Stone, nor had any contact with anyone associated with the making of the film."
Actor Rob Corddry, who plays Ari Fleischer, did contact, on his own initiative, the former White House press secretary for tips on how best to fill the role.
Mr. Fleischer said that, while "I'm a fan of Rob Corddry, he's a great guy, I declined to do it." He doubted Mr. Stone was making the movie in good faith. "I believe in President Bush," Mr. Fleischer said.
"Hollywood exhausts everybody," he added. "It pretends to be serious, but it's just an anti-Republican, anti-Bush bastion that is making an October campaign contribution to Barack Obama."
Whatever their personal political preferences, Hollywood executives saw "too risky" written all over the "W." script as it was being developed. Political thrillers dealing with the Iraq war and terrorism have largely tanked at the box office -- and "W." seemed destined for a similar fate.
A recent Wall Street Journal article noted that Mr. Stone was forced to turn to foreign investors to finance the production and help pay for marketing.
One thing is certain: Mr. Fleischer and the rest of the gang dramatized by Mr. Stone aren't likely to be altering their weekend plans to fit in a screening of the director's latest film.
"I've got a 2-year-old and a 4-year-old," Mr. Fleischer said. "I'm busy. I think I'll change my sock drawer instead."
Madonna and Guy: It's not the cash - it's the children. Couple set for custody battle after her 'emotional retard' jibe
Between them the couple are worth more than £300million, but rather than the cash, children Lourdes, Rocco and David are said to be the main area of contention.
The singer is believed to want to raise her three children in New York. But Guy has set his sights on them growing up in London and Wiltshire and is upset about them being on the other side of the Atlantic.
A source said: 'Madonna wants them to be brought up in the cosmopolitan environment of New York
'Guy wants them to continue growing up in London and Wiltshire, being privately educated in Britain.
'This has been the major stumbling block as to why their lawyers have not been able to negotiate an out-of-court settlement.'
The source said that Ritchie's parents, John Ritchie and Amber, Ladly Leighton - who are now divorced - are also distraught at the idea of Madonna having the children on the other side of the Atlantic.
'Amber, who was adopted herself, is furious that Guy and Madonna have not been able to settle their differences for the sake of the children,' the source added.
'Guy is really upset that his parents may be prevented from seeing Rocco. Rocco is Guy's beloved little boy.
'They have both requested that the media maintain respect for their family at this difficult time. A final settlement has not been agreed upon yet.'
Madonna had been sending Guy messages their marriage was over months ago when she began moving some of their art collection, including a Dali and portrait of Napoleon Bonaparte by Jacques-Louis David from their London home to their New York residence.
The singer is understood to have already offered Ritchie their country estate Ashcombe House, which is worth some £12million, plus a lump sum of as little as £15million.
Legal experts estimate that he could fight for up to £75million, comprising half the estimated £80million they have earned between them over their ten-year relationship, a further regular maintenance payout and properties.
Such an amount would dwarf Britain's largest divorce settlement so far of £48million, paid by insurance magnate John Charman to wife Beverley in 2006.
The gig at the city's Banknorth Garden was the 23rd concert of the Sticky & Sweet World Tour, which started in Cardiff in August and is expected to end in December.
Madonna cryptically announced to a New York concert audience on October 6: 'In exactly 29 moves, the Queen will dump the King.' She then had 29 more dates on her U.S. tour.
But in the light of the announcement, it seems she simply could not wait that long.
The couple are now lining up for what could become the costliest divorce in British legal history.
The signs that the divorce was heading towards acrimony couldn't have been clearer yesterday as the singer made a very thinly-veiled attack on Guy Ritchie for being 'emotionally retarded' live on stage.
Performing in Boston a few hours after their break-up was announced, she told the audience: 'This song is for the emotionally retarded. Maybe you know some people who fall into that category. I know I do.'
The song she then performed was Miles Away, inspired, she once said, by her often long-distance relationship with Ritchie.
She also opened the show, which took place just hours after her spokesperson confirmed the split, with her track I'm Not Sorry, telling the 20,000-strong crowd: 'That's right, I'm not sorry.'
'They do everything together. He adores him. He wants him to be a Londoner.
'The idea that he will be across the Atlantic from him most of the time is really tearing him apart.
'Guy is really frustrated that Madonna is building a legal case on her being this earth mother-style primary carer who looks after the children most of the time.'Madonna, who has an estimated personal fortune of £275million, has already lined up a fearsome legal team including the so-called 'Steel Magnolia' Fiona Shackleton and Nicholas Mostyn QC, the lawyers Sir Paul McCartney employed for his vicious two-year divorce battle with Heather Mills.
However friends of Ritchie's argue that, after a combative marriage, we can expect a peaceful divorce. Those hoping for a high-profile spat will be disappointed, they say.
In recent months, Madonna has grown close to Lourdes's father Carlos Leon.
Personal trainer Leon has been overseeing renovations on the singer's New York apartment.
He was adamant Madonna and Ritchie's split should not affect Lourdes's 12th birthday on Tuesday.
The Mail has learned that Madonna and Ritchie called time on their marriage after months of arguing over a wide range of issues.
The rows culminated in an almighty fall-out last Friday in which the singer gave her husband an ultimatum to move from London to New York with her. Ritchie, 40, reacted furiously and refused to relocate - sealing their fate.
It was the tipping point in a long battle which has seen them become increasingly alienated, to the point where they were communicating through their PAs.
Cracks in the marriage were apparent in June, when they attended marriage counselling with Kabbalah elders near their home in London. They emerged with a plan they hoped would save their marriage.
Both pledged to reduce their work schedules and not to be apart for more than a week at a time. They also pledged to support one another's interests and when necessary, career choices.
Ritchie had reportedly become increasingly disillusioned with the Kabbalah - a mystical offshoot of Judaism, which Madonna has followed since 1997.
In the end, it was Madonna's plan that the family should move to America which sealed their fate.
By that time, she had already been spending increasing amounts of time in New York - and that brought its own dangers.
There have been rumours of her growing closeness to the U.S. baseball player Alex Rodriguez (A-Rod), and she has been spotted dining with him recently in New York.
'Madonna has a growing closeness with A-Rod. It's nothing sexual, it's what you might call a non-physical affair,' the source said. 'But the point is that Madonna clearly feels A-Rod nourishes her in some way that Guy cannot.'
Perhaps worst of all, the couple have not shared a bed in almost a year, the source claims.
Significantly, the couple are already getting on with their different lives in Britain and America.
Yesterday, while Guy was directing his latest film, about Sherlock Holmes, at a closed studio in Hatfield, Hertfordshire, while Madonna performed a concert in Boston as part of her current world tour.
Thursday, October 16, 2008
The Other Side of The Splendor Dubai...
As you know, we always wonder at the grandeur of Dubai's buildings: the tallest buildings in the world, the longest bridges, and the weirdest architecture imaginable. When Addy and I were there last year, we marveled at this explosion of concrete, glass, and steel with our own eyes. But we never saw the other side, the misery behind the splendour, the 300,000 illegal almost-slaves who live crammed into labor camps, working—and often dying or getting injured—for a few dollars a day. Fortunately, the Guardian's correspondant Ghaith Abdul-Ahad reminds us about it.
All of these men are part of a huge scam that is helping the construction boom in the Gulf. Like hundreds of thousands of migrant workers, they each paid more than £1,000 to employment agents in India and Pakistan. They were promised double the wages they are actually getting, plus plane tickets to visit their families once a year, but none of the men in the room had actually read their contract. Only two of them knew how to read.
Once they arrive in the United Arab Emirates, migrant workers are treated little better than cattle, with no access to healthcare and many other basic rights. The company that sponsors them holds on to their passports - and often a month or two of their wages to make sure that they keep working. And for this some will earn just 400 dirhams (£62) a month.